spooky pimp
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Heya, spooks here. I've got to agree with you, man. While PANIC ROOM isn't as philosophical as FIGHT CLUB or viscerally terrifying as SE7EN, it still reeks of Fincher. Many people have called it his "studio film", and the more mainstream subject matter does lend strength to that argument.
One of the strongest points worth mentioning about the flick is Fincher's ability to provide the viewer with a sense of spatial familiarity. His "photogrammetry" has matured from FIGHT CLUB to a point where he constructs a minute-and-a-half continuous shot through the entire house. Unbelievable. The viewer knows the complete layout of the brownstone by the time the action heats up. This allows Fincher to play with the audience's panic button, something he does with extreme skill.
I believe that a single scene in the middle of the film warrants seeing it. Definitely one of the most tension-filled sequences I've seen in a long time. And Fincher provides it in lovely slow motion, teasing the audience to the point where you're screaming at the screen.
Acting is very good all across the board. The film's skeleton cast makes for more character development and showcases the diversity and skill of the wonderful Jodie Foster. She is definitely one of the most talented actresses of her generation (and hot, too! )
The only problem I can see with the film is that it's not as screamingly different as his earlier films. PANIC ROOM could very easily have turned into a stock studio picture, but his touch saves it and turns it into something different. However, there are no Tyler Durdens to question your entire view of life, nor are there any John Does to make you terrified of what a person can do. Instead, PANIC ROOM doesn't really leave you with a message, as Fincher's masterpieces do. The story is self-contained and simple, avoiding an overall metaphor or meaning. It only delivers what it promises to - a tense, nail-biting thriller designed to entertain.
As I've said before, Fincher is one of the new breakout directors who has the ability to save Hollywood from the all-too prevalent formulaic studio template flick. His work is always raw, visually striking and intellectually challenging. While this particular film is more mainstream than his others, it still bears the mark of his creativity (along with signature, cool "Fincher-titles") and is a worthy opener for his Indelible Pictures label. I can't wait for his next.
Overall rating---------> 8/10
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