harryb
Sep 2004
Newbie
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just thought i'd point out that [according to imdb anyway] this was shot on super-35, meaning that technically a fs version would show more than a ws rls as for the majority of shots in a video version of super-35, the black bars are just removed. you'll notice on most making of docs, when you see the directors monitor [if he's shooting super-35] he'll have the ws frame marked on his screen but the 4:3 box is visible too - usually with a slight crop on either but the black bars removed. it's a well-worn process now but for eg's look at early super-35 work like 'the abyss' or 't2', or for an idea of it being used very well, fincher stuff, especially 'fight club'. course it all matters not anyway as ws is still the director's intended ratio [unless it's kubrick!] so ws will always be the true version.
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