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dan solo
Jul 2007

Registered

quote:
Originally posted by Marco5
According to IMDB the movie was shot in the 2.35:1 aspect ratio. This release is cropped to 16:9. It means that almost 25% of the screen is missing...

screens for comparison:
http://i12.tinypic.com/821kxmw.jpg
http://i19.tinypic.com/7w788hx.jpg

v: 9

a: 9

m: 10 (i loved this film)

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Old Post 01-03-2008 07:33 PM
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vanzans
Oct 2007


Banned

Looks lovely... V:9 A:9 M: ?

Please stop talking about the ending....some of us haven't watched the film yet.

__________________
"Now we can do this easy, or we can do this REAL easy": Denton Van Zan, Reign of Fire.

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Old Post 01-03-2008 09:37 PM
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corniche
Feb 2006


Member

I'm surprised that so many of you dismiss the AR issue. I have seen the full 2.35 movie and there is no question in my mind that this 16:9 "full screen" rip seriously degrades the visual compositions of the theatrical release.

The release is certainly of exceptional high quality. It's just that the high quality is applied to only three fourths of the movie.

This AR thing, it seems, will NEVER go away. So many people...so little comprehension. I wonder how many of them have praised "The Good The Bad and ... the Missing."?

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Old Post 01-03-2008 11:40 PM
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bratt31999
Mar 2004


Registered

Wow, this is a keeper. Great job by BaLD, keep up the good work. I wasn’t going to dl this because I already had a scr. but I kept seeing all the high ratings and just couldn’t resist (Who cares) anyway.

A/9 V/9 M/7 (IMO ending sucked balls)

Last edited by bratt31999 on 01-04-2008 at 02:42 AM

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Old Post 01-04-2008 01:11 AM
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modistru
Oct 2004

Registered

quote:
Originally posted by corniche
I'm surprised that so many of you dismiss the AR issue. I have seen the full 2.35 movie and there is no question in my mind that this 16:9 "full screen" rip seriously degrades the visual compositions of the theatrical release.

The release is certainly of exceptional high quality. It's just that the high quality is applied to only three fourths of the movie.

This AR thing, it seems, will NEVER go away. So many people...so little comprehension. I wonder how many of them have praised "The Good The Bad and ... the Missing."?



... whining should be against the rules. Just enjoy the better release for the next 12 weeks before you go and purchase the 'correct' aspect ratio (which will be the same). Super 35... look it up.

v - 9
a - 9
m - 9.5

'sall good.

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Old Post 01-04-2008 02:04 AM
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corniche
Feb 2006


Member

quote:
Originally posted by modistru
... whining should be against the rules. Just enjoy the better release for the next 12 weeks before you go and purchase the 'correct' aspect ratio (which will be the same). Super 35... look it up.

v - 9
a - 9
m - 9.5

'sall good.



Wasn't whining, and not looking for a fight. I could have been clearer and said, "you either lose a quarter of the picture or see too much of it, which ruins the intended frame composition." I understand matting, hard and soft, as well as film types.

Comparing my 2.35 copy with this one, I grant that the differences are mostly due to absence of matting rather than side cropped pan-scan. I still prefer the director-cinematographer to make the decision. NCFOM looks BETTER to me in 2.35. Especially the awesome initial landscapes.

Aspect ratios matter...Would you cut the sides off your favorite painting OR use a frame that included large parts of the wall, top and bottom?

All that aside, the current rip is certainly very fine indeed...as I said before.

Cheers

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Old Post 01-04-2008 06:48 PM
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J Fresh
Jan 2004


Jord-man

you guys do realize that this 16x9 copy is UNCROPPED

It shows MORE than the 2.35:1

Now I'm all for correct AR but this could be even better

besides, I'm sure most media players and DVD players can change it to the correct AR on the fly

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Old Post 01-04-2008 08:09 PM
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corniche
Feb 2006


Member

quote:
Originally posted by J Fresh
you guys do realize that this 16x9 copy is UNCROPPED

It shows MORE than the 2.35:1

Now I'm all for correct AR but this could be even better

besides, I'm sure most media players and DVD players can change it to the correct AR on the fly



Unmatted, more accurately. Shown in a theater, a mask would be placed over the lens to produce the proper 2.35. I wonder, now that some multiplexes are using dlp digital projectors, if this could be an actual copy of the theatrical release supplied to those exhibitors.

PS...I still think MORE is LESS. Let the director decide.

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Old Post 01-04-2008 08:41 PM
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[-BiG_W-]
May 2003

Registered

quote:
Originally posted by corniche
Unmatted, more accurately. Shown in a theater, a mask would be placed over the lens to produce the proper 2.35. I wonder, now that some multiplexes are using dlp digital projectors, if this could be an actual copy of the theatrical release supplied to those exhibitors.

PS...I still think MORE is LESS. Let the director decide.



If this was the retail then I 100% agree with your criticism. But this is a pre-retail dvd screener, and as such it's a blinding release. I'm happy with this copy until the retail comes out. Hell, it's not even out in the theaters in my country and this beats a cam/ts/tc/r5 any day of the week, correctly matted or not

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Old Post 01-04-2008 09:13 PM
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corniche
Feb 2006


Member

quote:
Originally posted by [-BiG_W-]
If this was the retail then I 100% agree with your criticism. But this is a pre-retail dvd screener, and as such it's a blinding release. I'm happy with this copy until the retail comes out. Hell, it's not even out in the theaters in my country and this beats a cam/ts/tc/r5 any day of the week, correctly matted or not


We've no disagreement, then. I always remind people about AR issues because I believe too many people accept s**t from their tv providers, eg, that has been "modified to fit your screen"....and others complain about those awful black bars that broke their TV set.

It just seems that an awful lot of people don't understand the problem at all.

And, I confess, I'm sort of a fanatic about it. I take every opportunity I can find to get on the AR soapbox.

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Old Post 01-04-2008 09:22 PM
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OSH
Sep 2006


WHO IS JOHN GALT?
*Smashes seal skull*

When it comes to the crop/AR nothing is missing that isn't supposed to be missing.

Last edited by OSH on 01-07-2008 at 01:37 AM

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Old Post 01-04-2008 09:35 PM
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Rotor1999
Feb 2006

Registered

http://www.modeemi.cs.tut.fi/~leopold/AV/FilmToVideo/


read the bit on Super-35

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Old Post 01-04-2008 11:46 PM
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denmat
Sep 2007

Member

too many people worrying about very little IMO, the ar looks fine, its 16:9 and if there is any thing lost at the side it's not much. Als on a quick run through this looks clean from watermaks and scrollers (which everyone else seems to have overlooked) which makes this all the more excellent. One of the best movies of all time. The ending, well I for one am sick of the old cliched hollywood ending where the goodguy always comes out on top. So enough on the ending. Think on those who have not watched yet.

V=9.5
A=8 (excellent, pity its not ac3)
M=11/10 (yeah its that good, and its the Coen Brothers back to their old selfs.

Last edited by denmat on 01-06-2008 at 09:34 PM

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Old Post 01-06-2008 05:41 PM
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FF-73
Oct 2007


Registered

V:10
A:10
M:10 - Brilliant movie.

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Old Post 01-16-2008 10:17 PM
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CARR73
Jan 2007


Senior Member

V : 9
A : 9
M : ?

"Don't Fuck With The Baldies" Great release.

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Old Post 01-19-2008 09:20 PM
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Jassll
Jul 2004

Registered

Video - 9/10 - basically perfect
Audio - 9/10
Movie - 7/10 - I will need to read up on this

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